Album Tracks

  1. introduction                                         
  2. Mvt.1 hymn to the four winds
  3. Mvt.2 daybreak at fort rock         
  4. Mvt.3 missoula flloods pt. 1               
  5.            missoula floods pt. 2                
  6. Mvt.4 rivers                                          
  7. Mvt.5 chief joseph's lament               
  8. Mvt.6 stones into blossoms              
  9. Mvt.7 sundays at the golden west    
  10. Mvt.8 the aftermath                             
  11. Mvt. 9 new land                                    

The Territory marks Grant's seventh CD as a leader and his first since 2007's critically acclaimed "Truth and Reconciliation," which was selected one of the top 10 CDs' of the year by The Village Voice jazz critics poll. The nine-member ensemble includes Grant's long-time collaborators Grammy award-winning drummer Brian Blade, Grammy award-winning saxophonist Steve Wilson and celebrated vibraphonist Joe Locke, as well as renowned cellist Hamilton Cheifetz, Chicago bassist Clark Sommers, Portland vocalist Marilyn Keller, trumpeter Thomas Barber, and bass clarinetist Kirt Peterson. The Territory captures Grant in an exciting 2013 world premiere performance presented by Chamber Music Northwest in front a sold-out audience at Portland's Kaul Auditorium.

Buy from PJCE (Portland Jazz Composers Ensemble)

Buy from PJCE (Portland Jazz Composers Ensemble)

A triumph of spirit!
— Northwest Reverb
irrepressibly energetic and finely polished.
— The Oregonian

In 2012, Grant was one of 11 artists to be awarded a prestigious New Jazz Works grant from Chamber Music America to support the commission and premiere of a new work for jazz chamber ensemble. His extended suite The Territory uses both improvisation and composition to ponder the unique Oregon experience, reflecting on the state’s historical heritage as well as the incredible and diverse landscapes of the region.

"The original idea for this piece came from my interest in the concept of ‘terroir,’” Grant describes, “and the connections between art and place.” One aspect of place that Grant chose to highlight in The Territory is Oregon’s uneven history in relation to people of color. "As an African-American, I can't dismiss the irony of my claiming connection to a place whose constitution once expressly prohibited people like myself from living here," Grant says.

Invoking the spirit of Oregon's native peoples in its opening movement “Hymn to the Four Winds” and in "Chief Joseph's Lament" which is based on the historic Nez Perce leader’s controversial surrender to the U.S. army, Grant’s view of the territory draws on the contrast between “the utopian myth of Oregon that persists in shows like ‘Portlandia‘ and the more conflicted truth of our history.” A movement called "Stones into Blossoms” looks at the forced internment of Japanese-Americans during World War II through the eyes of a small child while the joyous “Sunday’s at the Golden West” celebrates a historic landmark in the heart of Portland's early African-American community.

Exploring a connection to place also led Grant to release the CD on Portland-based PJCE Records as well as to the development of a partnership with the Oregon Historical Society, which will receive a donation from the CD release concert, as well as a percentage of CD and download sales of The Territory. "As a steward of our stories, OHS serves a vital role in maintaining our sense of place,” Grant states. “And as a Portland jazz composer, I’m very pleased to be joining forces with artists in my own community to share this music.”