Posts tagged Afro-classical
Seventy Minutes

It’s not jazz. At least not as I would usually define it. It’s all in one key. There are no chord changes, no sliding away into dissonance and distraction. It is improvised, but the composer’s original theme, his “prime” motive, is ever-present.

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Making my Classical Piano Composer Debut

Next weekend, I'll make my debut as a classical solo piano composer when the phenomenal British pianist Isata Kanneh-Mason is in residency with Portland Piano International (PPI). I was commissioned by to write a piece inspired by an existing work in the solo piano canon. I have long been inspired by Afro-British composer Samuel Coleridge-Taylor. Born in 1875 to a Sierra Leone Creole father and an English mother, Coleridge-Taylor was referred to as the “African Mahler.” His celebrated oratorio Hiawatha’s Wedding Feast, based on the epic poem Song of Hiawatha by Henry Wadsworth Longfellow, was as popular in its day as Handel’s Messiah.

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